Reviews

Prescription For Murder

 THIS was my second time of seeing The Broadstone Players and I must say  what a professional image the group gives, especially with their Front of House Team.

Peter Pan The Musical

ONE of the biggest compliments I can pay this production is to say that had I walked in off the street to see it, never having heard of Swish, I could easily have believed that I was watching a fully professional touring production. It was spectacular in every way, from the fantastic set and costumes to the excellent sound system and lighting, superb programme and fine orchestra – plus, of course, outstanding performances, thanks to the production team of Tina Smith (director), Lee Marchant (musical director) and Emily Cardno (choreographer).

When We Are Married

THIS production is in safe hands – the hands of master-playwright JB Priestley and of veteran director Sonia Collyer. Sonia has been involved with the New Forest Players for more than half a century and directed the same play almost 25 years ago. Her sure touch is just one of the assets that contributes to this excellent production.

Calamity Jane - The Panto

MY first review of 2012 was another visit to the Ringwood based Poulner Players and their latest offering, which was Calamity Jane – The Panto by Limelight Scripts.

The performance was delayed by 15 minutes at the start due to an accident just outside Poulner but when the final cast member had arrived we were under way.

Time To Kill

WHEN we go to the theatre we expect to be asked to suspend our disbelief but there is a limit, and ‘Time to Kill’ is a badly written, badly plotted, implausible load of drivel. To justify that opinion, no more is needed than a brief resumé of the play’s premise: four housewives on an affluent estate in Maidenhead decide that the local Lothario is responsible for the death of a neighbour, so they lure him to the house of one of their number, where they handcuff him to a chair, dress up in (badly fitting) legal wigs and gowns borrowed from the local dramatic society and put him through their version of a trial. Here, ‘Desperate Housewives’ meets drawing-room drama meets ‘Witness for the Prosecution’ – perhaps a superb writer at the top of his form might make it work, but author Leslie Darbon isn’t and wasn’t and doesn’t.

Mother Courage And Her Children

MOTHER Courage And Her Children is arguably Brecht’s greatest play. Depicting an allegorical and cynical anti-war attitude within the backdrop of the 30 Years’ War of 1618 – 1648, it is as poignant today as ever. In this production the futility and yet the inevitability of war is frighteningly displayed; the minimal staging and drab, colourless costumes only add to the realisation of its stark hopelessness. Mother Courage above all shows the commercialism behind all wars and director Kirstie Davis more than captures Brecht’s views of this and other issues relating to war.

Jack and the Beanstalk

ONE of these days, when the weather is a lot warmer than it is now, I shall go outside and plant a tin of baked beans, fully expecting that the next morning there will be a beanstalk growing up into the clouds. But I’ve remembered something - I’d need magic beans, and those I just don’t have. They do have them in this very jolly panto though, plus a host of other ingredients that, when mixed together, make for a smashing evening.

Voyage Of The Galaxy Trader

IF there was a prize for the most unusual panto title, Castle Players would surely be in the running for it, as indeed they would for the very novel cast pictures in the programme. But before you assume that I’m scratching around for something good to say, let me assure you that I have a lot more praise to bestow yet.

Departures

 HAVING spent rather longer than expected in a foreign airport departure lounge last weekend, due to a delayed flight back to Gatwick, there were certain aspects of this intriguing bitter sweet comedy with which I could most certainly identify.

Red Riding Hood

TODAY’S children have so much entertainment thrown at them through so many different media that it is heartening to feel the excitement of a young audience at a traditional pantomime like Highcliffe Charity Players’ fortieth panto, ‘Red Riding Hood’. This is one of the more polished local societies, and details like the very professionally written and designed programme put one from the start in a mood to be impressed. That mood continues as the lights go up on the first of a series of really excellent and imaginatively-lit sets and well-executed dance numbers, right through to the cascade of glitter from the Regent Centre ceiling at the final curtain.

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